So from a technical point of view, how much detail was spent on characters that may only wonder into the player’s field for seconds, if that? The Hitman games have always given you a tasks, but then set them in relatively open world environments, fully populated by people. That’s what we’re trying to do with Hitman, to see how can we do drama in this library for instance, without controlling what the player is actually doing. It’s challenging because it’s kind of like an interactive movie, but it’s not challenging in gameplay terms. I guess you can say there’s a very strong trend to do these very story based linear games, because it’s very easy to control your story when you do a linear kind of gameplay where you can’t do anything else but what you’re told to do. This is something that is very central to us at least. Playing on a console, it is looking at how they do story, how they do drama within the game and give freedom of choice to the player. That depends a lot on which type of game it is.

When you personally are playing a game, what is it that you appreciate most about it? When you understand the depth of the gameplay, and that playing through every section of the game is something that will be – you can go back to a section and you can play through in a completely different way and have a very different experience with it.Īnd of course, playing contracts against your friend is something that will add a social aspect to the game that at least Hitman games have never had in the past, except you could say, on the forums, kind of outside the game world. I do think the single player replayability of it. There are plenty of third-person games on the market, but what is it about Hitman: Absolution that makes it stand out? We caught up with Tore Blystad, director of Hitman: Absolution, and talked a bit about what makes this game so noteworthy, and how technology like this will improve the gaming experience.

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